The first photograph you ever took would probably have used available light. This could be all-natural daylight, indoor lighting or any other form of light where you have no control over the intensity, quality or path of the supply. These can be achieved with the help of filmmaking or videography equipment such as camera stabilizers, camera track dolly or any handheld steadicam. This can be a great method to discover the basics and allows you to concentrate on composition and other elements of image creating. A lot of reportage function is done this way to make sure the least quantity of intrusion as you possibly can. Nevertheless as your abilities progress you might be tempted to make pictures in a much more controlled way. i.e. on location or in the end inside a studio setting where the lighting is all under your control. This sounds fantastic but it does include its own set of issues and challenges. The camera flash is constructed into most cameras these days, from simple point & shoot to DSLRs. Mostly used as supplemental light when available light is too low. However, because of their diminutive size they’re usually too low powered for anything more than party photos. Hotshoe flashgun – Next step up are the flashguns that clip onto the camera’s hotshoe to provide an extra boost in light output when the constructed in flash just doesn’t cut it. Previously, the capability of these flashes were quite limited but today’s models offer much much more flexibility with features rivaling those found on dedicated studio strobes. Most mid-range flashguns offer multi-directional heads i.e. the flash head can be rotated left / right as well as 90 degrees up. This allows the light to be bounced off the ceiling to create a much softer light source. At the top end from the scale, the dedicated flashguns from the primary manufacturers now have remote triggering features which make them near studio strobes or be it with less power and range. You will find even light modifying accessories you can buy (or make) to increase its usability. These would be the best option to get you started because of their portability and relatively low price. Studio strobes are the full studio flashes that you will see utilized in most of your videography needs. Operating on mains power, these are powerful units that can fill a large background with flat light. Most will now be triggered remotely by a camera receiver. These flash units vary in price depending on make and include a wide range of optional accessories like brollies, softbox, honeycombs to name a few.