When filmmakers and fans speak about popular and great steadicam shots, there is a slim list of pictures that generally show up, like the Copacabana shot in “Goodfellas”, the chase scene of “Carlito’s Way” or the title fight shot of “Raging Bull”. Nevertheless the steadicam has been an important videography gear in movies for over 3 decades and directors happen to be receiving better in integrating it as a great storytelling instrument in a much more delicate and inventive way. You will find really a few much less discussed steadicam shots that are however very fascinating either for the creative options in it, their powerful framing or the way they make an impact in telling the story. There’s an exciting shot because the steadicam with the Doors in 1991 where steadicam was utilized inside a much more inventive way than usual. It followed Jim Morrison at Andy Warhol’s celebration. There’s people of all type, great music, drugs, lighting, movie projections on the wall. Imagine a typical Fellini shot but with the character higher on drugs. The camera also, hover on dutch angles and adjustable frame prices, seems to be the POV shot of a person who’s going via confusion following taking drugs helping the crowd really feel the passion from the scene very effectively. The intro shot of David Lynch’s “Lost Highway” has probably the most fascinating steadicam shots in film history in terms of the use of steadicam as a creative choice. It’s merely a POV shot of a car on a highway in the dark. Not needing to have a straight camera mounted or dolly shot, which may have been as well uninteresting, and not preparing to have a handheld, which would happen to be as well unstable, the director decided to make use of a steadicam which gave a definite free movement shift which has an eerie feel to it, a great expectation from the almost unreal story that’s to come. Well, if not for the performance, this steadicam shot had to become incorporated only for the reality that we get to determine Occasions Square completely empty in daytime. This most likely meant that the shot had to be finished rapidly where there was little room for error. Shot by an expert steadicam operator, we start with a shot of an actor coming to Occasions Square in his cool Porsche. The place is clear on this side of the square. The camera moves steady and closer and closer to the actor and after that about him to show the other side of the place, also completely empty. The actor leaves his vehicle and goes on the street, quicker and quicker while a crane shot shows the entire location. Nicely, this can be from a significant hit film however it’s a steadicam shot that isn’t discussed a lot. Even when technically very simple because it is only the POV as the actor walks into a bar, it is viewpoint tends to make the usage of steadicam an ideal option for the shot. The Terminator walks naked into a bar and looks at things and those that runs into on its way. The POV steadicam shots are infra red graphics with computer data because the machine assesses its surroundings. They are only one of the greatest movies that steadicams have been utilized.